Gisèle Lagacé interview

Yes, I do read everyone’s comments, and I do try to interview requested artists. I’m very pleased to have Gisele Lagace here today. Gisele –

BC: Who are you?
GL: I’m a cartoonist from New Brunswick, Canada. I’m known mostly for my work in webcomics, which started in 2000 with Cool Cat Studio. Since then, I’ve also dabbled in print comics and have worked on a few projects outside my own (Archie, Betty Boop, Jem.) Before that, I was a graphic designer for a good decade, and before THAT, I was a musician in an all-girl band from Quebec called Barbarella. A more detailed about me can be found at my website in the about section.

BC: Do you consider yourself a cartoonist, an illustrator, an artist, or something else?
GL: I generally consider myself a cartoonist. I usually write or co-write my work but I’ve collaborated with writers in the past where my main duty was on the art side.

BC: How did you get your start as a cartoonist?
GL: Online, I got my start with Cool Cat Studio which I created, and wrote and drew until T Campbell joined me on the writing side. This partnership led to more projects. In print, I got my start at Archie Comics. My first big break with them is drawing the full issue of Archie #635 (Occupy Riverdale.)

BC: How long have you been at this, and what do you think your biggest breaks were?
GL: Cool Cat Studio, my first project, was a pretty big break online. It had a pretty good following. My biggest break online, though, is by far Menage a 3. In print, I’d say getting to draw the Archie Meets Ramones one shot last year.

BC: What was it like working on the Ramones one-shot? Did you need to do any research on the band, or get permissions to use their likenesses?
GL: It was fun working on that. I did a fair amount of research. I wanted to make sure I was as accurate as possible. The Ramones estate was also involved, so yeah, we had permission to use their likenesses. Actually, the closer the better. 🙂

BC: What led up to your starting Cool Cat Studio, and then Sticky Dilly Buns, and along with the Archie Comics work do you have any other pokers in the fire right now?
GL: I just wanted to draw comics, and when I saw other cartoonists bringing their work online, I just did the same. I really enjoyed the immediate feedback. As for Archie comics, I always enjoyed Archie comics growing up, so when I was asked to draw some Archie stories, I jumped at the chance. Other than continuing my online work, I’m finishing up an arc of Jem & the Holograms right now for IDW.

BC: Why adult comics? Or, comics with a heavy R-rated slant? Do you feel any kind of disconnect switching between Menage a 3 and Archie? Is there much of a desire to sneak in a Menage style panel in something like Jem and the Holograms?
GL: I never really said to myself “I’m gonna do adult comics.” I wanted to do first and foremost a funny situational comic. I loved Three’s Company growing up, and one day I said to myself “I want to do a fun comic that’s sort of like that.” The name came to me instantly, and within a day, the cast was nailed down. The comic ended up being more risque than Three’s Company but that might just be ’cause we’re French Canadian. I compare it to if HBO had done Three’s Company. Although, I think HBO would show more sex than we do!

GL: In regards to Archie, old Archie comics from the ’50s and ’60s were quite risque. One could say that back then, they were more written for adults than one would think. In the end, for me, it’s all about comedy, whether sex is involved or not.


(from Menage a 3)

BC: Which of your works are you most happy with, or proud of?
GL: Well, I like all of it. However, I do see things I’d do differently now in almost everything I’ve done but I think that’s pretty normal. I guess I’m proud of Menage a 3’s longevity. I don’t think anyone thought it would last this long. In print, Archie Meets Ramones is a highlight but so is Betty Boop and Jem & The Holograms. All 3 projects revolved around music, but all 3 were quite different from one another on the art side. A nice challenge for me.

BC: How would you label Menage a 3? Erotica? Underground? something else? You’ve already mentioned it’s NSFW.
GL: I call it an HBO-style RomCom.

BC: Do you have any paper or e-book collections on the market yet?
GL: All of my personal work can be bought in print or as e-books. Best way to get it is to visit the PixieTrixComix store and it can all be found there. The store link can also be found at the ma3comic.com website and all other Pixie Trix Comix properties.

BC: How do you approach that blank sheet when you decide to start your next strip or panel?
GL: On the writing side, I simply write in a Word doc. Not sure where the ideas come from but they do. Collaborating also helps when ideas don’t easily come. On the drawing side, I just try to imagine the acting and the space the characters are in.

BC: Have you found any influences from your print work rubbing off on your online strips? Or, vice versa? Or, influences from your time in Barbarella?
GL: Well, I think one can see the art shift a bit in my online work when I’m working on something for another publisher. For instance, my Dan DeCarlo influences may show up more in my online work if I’m currently drawing an Archie comic, or things may look a bit more realistic if I’m working on something like Jem at the same time. It’s hard to shift gears sometimes. I do the best I can.

BC:If your strip had a soundtrack, what would it be?
GL: I guess it would depend on the property. However, Cheap Trick is a band that shows various emotions in their songs, so I think they might be a good fit.

BC: Who are your favorite artists/writers? Have you met any of them? Got any dirt on them?
GL: Big fan of Dan DeCarlo, Rumiko Takahashi, Uderzo and Jim Davis. Can’t say that I’ve met them, so I don’t have any dirt on them lol.

BC: Do you follow any other comic strips right now?
GL: Not really. Generally too busy to keep up with most ongoing series. At the very moment, I’m actually reading the 2012-2014 Harbinger run from Valiant.

BC: What do you look for when you read someone else’s strips?
GL: First and foremost, the art has to please my eye. Once that’s out of the way, I’ll look for stories that have a nice balance of suspense, action, and comedy.

BC: What do you think makes for a good comic?
GL: Just good storytelling and art that matches what you’re trying to do. If you’re doing a comedy, make sure it’s funny but also that the art sells the comedy.

BC: Do you use Patreon or Kickstarter? How do you think they are changing the face of webcartooning? Do you want to plug your site?
GL: I’ve only used Kickstarter. Actually planning to do a 3rd one this Spring. And yes, you can visit giselelagace.com to know more about me, and pixietrixcomix.com to see my online work. Right now, Menage a 3 is the only project I’m currently updating. I plan on returning to Sticky Dilly Buns soon. However, Pixie Trix Comix has other properties that update which I’m not that involved with.


(from Sticky Dilly Buns (server down.))

BC: Do you have any projects coming up? Appearances scheduled for conventions?
GL: My first issue (#24) of my run on Jem & the Holograms hits stores March 29th. The Betty Boop mini I drew with writing by Roger Langridge will be collected and released as a trade this May. I plan on doing a few conventions this year. My first being C2E2 in April.

(All artwork here has been reproduced with the permission of the artist. Copyright Gisele Lagace (c) 2017.)
(This interview is the copyright (c) of Curtis H. Hoffmann 2017. It may not be reproduced in whole or in part without the permission of the author.)

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